Down in the Dirt (ALBUM) - OUT NOW
Down in the Dirt is an 11-track collection of stripped-back, honest and warm songsreflecting family, aging, memory and connection. It is tender, gritty, and unmistakably Australian.
Recorded at Wizard Tone Studios, produced by Ryan Martin John (Cactus Cactus Sound) and featuring an all-star band rounding out the duos sound; Tom Kneebone (guitars), BJ Barker (Drums), Lyndon Gray (Bass), Graeme Hollis (Hammond) & Lucky Oceans (Pedal Steel).
Down in the Dirt will be released on October 10, 2025 across all digital platforms, with physical copies on vinyl and CD available to pre-order now.
Before We Begin - OUT NOW
Adelaide folk-country duo Tin Town return with their third single “Before We Begin,” out Friday 29th August. A standout moment on their upcoming debut album, the track is the only true duet on the record - a stripped-back, emotionally raw conversation between two voices.
“Before We Begin” explores the spaces between love and fear, past hurt and future hope. It’s a song about the hesitation that creeps in just before something real begins - a plea to be seen and held, even when it’s difficult.
Courtney Robb and Snooks La Vie trade verses with a kind of hushed honesty, meeting in harmonies that feel both fragile and deeply grounded. The arrangement is subtle and spacious, allowing every lyric and pause to land with weight.
Samson - OUT NOW
Tin Town’s second single Samson is a stripped-back meditation on loyalty, loss, and the quiet strength we place in the ones who wait with us through life’s storms. The track’s minimal arrangement highlights the emotional weight at its core - a song that aches with memory but finds comfort in companionship.
“Samson was written with our old dog curled up at my feet,” says Robb. “It’s a song about the ones who bear witness to your worst and love you anyway.”
Things I Got From You - OUT NOW
Tin Town’s debut single Things I Got From You is a slow-burning reflection on the memories, habits, and heartache that linger long after someone’s gone. With its warm, unvarnished delivery and understated instrumentation, the track captures the emotional weight of inheritance—both the tangible and the intangible.